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Rare – 1920’s Gibson Soprano Ukulele. ‘The Gibson’ logo on headstock. This uke is constructed with mahogany wood face, back, and sides. The instrument remains in all original condition with a twelve fret joint to the body. These early soprano model Gibson ukuleles are tremendously difficult to locate and were tremendously popular amogst early uke musicians (they’ve been played … and played… and played …) – but along with that came a very refined and mature sound. This era of Gibson ukulele is regarded as both highly collectible and incr

A stunningly beautiful example of a Stromberg-Voisinet ‘Aero’ Ukulele handcrafted in 1927 in commemoration to Charles Lindbergh’s Trans-Atlantic flight. On May 20, 1927 Lindbergh took off in the Spirit of St. Louis from Roosevelt Field, near New York City, at 7:52 A.M. He landed at Le Bourget Field, near Paris, on May 21 at 10:21 P.M. Paris time (5:21 P.M. New York time). Thousands of cheering people had gathered to meet him. He had flown more than 3,600 miles (5,790 kilometers) in 33 1/2 hours. This historical ukulele pays tribute to Mr. Lindbergh

Beautiful 1950s Martin 2M Soprano Ukulele. This is a wonderful playing ukulele from one of the highest regarded manufacturers of ukuleles, C.F. Martin & Co. The 1950s Martin & Co 2M soprano ukulele can be characterized with classic style mahogany wood top, back, sides, and neck ‘stained’ to the classic dark rich C.F. Martin &  Co. wood-stain. Top, and back ivroid binding. Rosewood fretboard and mahogany wood bridge. Traditional concentric circle purfling rosette. Classic “C.F. Martin & Co” stamp inside of the soundhole. Now is your chance

1920s Martin 3K Soprano Ukulele. A rare find with a phenomenal sound from the 1920s, this ukulele has a sound that is huge, full, and balanced and a projection that will rival a tenor ukulele! The 1920s era model Martin & Co ukuleles are truly wonderful historical pieces and benchmark an era of development for the Martin company with regard to its ukulele production and expansion of its models. These instruments came at a time when interest in Hawaii and Hawaiian music continued to be the rise and Martin embraced some of its finest work with the Style 3 and intr