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1920s Lyon & Healy ‘Deluxe’ Soprano Ukulele

Founded in Chicago in 1864, George Washburn Lyon and Patrick J. Healy built their first instrument – a harp – in the year 1889. This partnership quickly became the Washburn company ‘Lyon & Healy’. Lyon & Healy’s knowledge of instrument building and unique designs was later applied to the traditional figure-eight shape of the ukulele at the turn of the 20th century, in which the company introduced a number of  less traditional shapes such as the ‘bell’ and the ‘shrine’ ukulele. This beautiful ukulele is a
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1920s Lyon & Healy ‘Deluxe Shrine’ Soprano Ukulele

Founded in Chicago in 1864, George Washburn Lyon and Patrick J. Healy built their first instrument – a harp – in the year 1889. This partnership quickly became the Washburn company ‘Lyon & Healy’. Lyon & Healy’s knowledge of instrument building and unique designs was later applied to the traditional figure-eight shape of the ukulele at the turn of the 20th century, in which the company introduced a number of  less traditional shapes such as the ‘bell’ and the ‘shrine’ ukulele. This beautiful ukulele is a
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1920s Lyon & Healy ‘Shrine’ Soprano Ukulele

Founded in Chicago in 1864, George Washburn Lyon and Patrick J. Healy built their first instrument – a harp – in the year 1889. This partnership quickly became the Washburn company ‘Lyon & Healy’. Lyon & Healy’s knowledge of instrument building and unique designs was later applied to the traditional figure-eight shape of the ukulele at the turn of the 20th century, in which the company introduced a number of  less traditional shapes such as the ‘bell’ and the ‘shrine’ ukulele. This beautiful ukulele is a
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Custom David Gomes Tenor Ukulele

Wonderful pre-owned custom Hawaiian Koa wood tenor ukulele (2013) handcrafted by master luthier David Gomes of the North Kohala district of the Big Island of Hawaii. David strongly believes that the aesthetic of the instrument must be paralleled by the craftsmanship and the constant focus on the tone itself and as a musician and luthier of over forty years, he understands the approach of luthier work from the perspective of being a player himself as well. This has allowed him the opportunity to make fine adjustments to his instruments over the years that have come f
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